As unsettling as ever, the self-proclaimed 'slacker trad' duo, Milkweed, return with a new collection, this time inspired by the contents of Bronze Age grave. Gavin McNamara finds the experience strangely moreish.
Morvran's new EP provides a wonderful, if not all-too-brief, guide to the traditional songs and tunes of Cornwall. Gavin McNamara roves out.
With 'Archangel Hill', Shirley Collins has surprised many by producing one of the best albums of her career. Ian A. Anderson has the review.
We couldn't let 2023 end without publishing Gavin McNamara's review of False Lankum, one of the finest albums of the year. Our apologies for the delay.
Stolen from God, a new song cycle from Reg Meuross, marks the culmination of four years digging into the hellish history of the Atlantic Slave Trade.
Out of the annals of history and into exciting new territory, folk supergroup, Hack-Poets Guild, create an auspicious sonic universe with Blackletter Garland, their ambitious debut.
'When You're Ready', the debut EP from Patakas, is a heartfelt, at times emotionally raw tribute to a dearly missed father and a childhood spent revelling in musi.
Gavin McNamara takes a listen to the new album from Jim Ghedi and Toby Hay and finds a warm-hearted, mid-summer celebration.
Locked away in a church in Derbyshire, Sam Sweeney continues to conjure up nourishment for the soul.
George Sansome & Matt Quinn kickstart their new duo with Sheffield Park, an album on which they wear their love of traditional folk songs firmly on their sleeves.
Saving the Good Stuff Vo1 is a beautifully arranged and recorded document of Harbottle & Jonas's lockdown adventures, featuring tradfolk classics and a few surprising twists.
Where Are All The Women? by Jennie Higgins is an entirely unaccompanied first-attempt from an emerging folk singer.