Should you care to look back over the past two decades of British folk music, one musician in particular stands out for having a singular, idiosyncratic vision that has rarely wavered in style and substance. Jim Moray may have garnered initial attention for his digitally-driven approach to traditional music, but reflecting on his seven albums and numerous production credits it’s clear that imagination and invention are the real cornerstones of his work. The cinematic vision of albums such as Skulk […]